06 — The Death of Sisoes

The most famous moment in the memory of St. Sisoes the Great: his luminous repose. As the elder lay dying, the Apophthegmata Patrum record, his face shone like the sun and he was seen conversing with unseen visitors — the fathers, the prophets, and at last the angels who came for him — while he asked for a little more time to repent and declared that he had “not yet begun.” These two files present the scene as the tradition attests it, pinned to its source per §3.5, and then unfold its theology: the union of total humility with the radiance of theosis.

Tradition: Pan-Orthodox (Desert Father; model of repentance)

The deathbed of Sisoes is one of the great icons of the desert ideal — the scene in which his lifelong humility and unceasing repentance are crowned and made visible in light. It must be handled with care: it is the testimony of the Apophthegmata and the tradition to his holiness, cast in the desert’s characteristic form of the luminous death, and it is received here as such rather than certified as event. The first file presents the scene and its attestation; the second draws out its meaning — why the man who said he had not begun to repent died shining, and what this teaches about humility and the deifying grace of God.

Files in This Section

File Description
The Luminous Repose The deathbed scene as the Apophthegmata and the tradition attest it: the shining face, the conversation with the unseen fathers, prophets, and angels, the request for time to repent, the last words; the attestation pinned per §3.5.
The Radiance of the Saint The theology of the scene: humility and theosis; why the man who had “not begun to repent” died in light; the deifying grace that shines in the saints.

See Also

References

  • The Sayings of the Desert Fathers: The Alphabetical Collection. Trans. Benedicta Ward. Rev. ed. Cistercian Studies 59. Kalamazoo: Cistercian Publications, 1984.
  • Chitty, Derwas J. The Desert a City. Oxford: Blackwell, 1966.
  • Harmless, William. Desert Christians. New York: Oxford University Press, 2004.