Matrona in Modern Russia

St. Matrona of Moscow is arguably the most popular and most-visited modern Russian saint, the focus of a veneration that did not exist on its present scale before the 1990s and then expanded with extraordinary speed. Her cult is a “from below” phenomenon — lay, heavily female, and oriented to the everyday needs of ordinary people — and in that character it closely parallels St. Xenia of Petersburg. Its very size has drawn sober criticism: that for some devotees it tends toward folk-religion, and that it has been put to national-religious uses, the most contested of which (the Stalin legend) belong to the disputed material treated elsewhere. This file describes the phenomenon and its tensions, soberly and with sources.

Tradition: Russian Orthodox (canonized 1999/2004)

The Scale of the Cult

By any ordinary measure of popular religion, St. Matrona is among the most venerated saints of contemporary Russia, and quite possibly the most venerated of those who lived and died in the twentieth century. Churches, chapels, and side-altars dedicated to her have proliferated across Russia and the diaspora since her glorification; her icon is among the most reproduced of any modern Russian saint; and parish clergy commonly report that she is the saint laypeople most often ask for by name (AsiaNews, “Devotion to the Blessed Matrona Moskovskaya”; Matrona Nikonova, Wikipedia). The center of the cult is the Pokrovsky Stavropegic Convent on Taganka in Moscow, which holds her relics and has become one of the busiest pilgrimage destinations in the country, with queues that on her feast and on weekends stretch for hours along the convent wall (Pokrovsky Convent, pokrov-monastir.ru; AsiaNews).

It is worth being exact about the chronology, because the chronology is itself a finding. The cult on this scale is recent. There was a real, continuous, grassroots veneration at her grave in the Danilov cemetery across the Soviet decades after her death in 1952 — that local pilgrimage is well attested and is what made the 1998 translation of her relics intelligible (Pokrovsky Convent, “The Invention of the relics,” pokrov-monastir.ru; treated in the grave as shrine). But the mass cult — the convent queues, the nationwide dedications, the omnipresent icon — is a phenomenon of the post-Soviet religious revival, and it tracks closely with two events: the 1993 publication of Zinaida Zhdanova’s Skazanie, the bestselling popular Life that carried Matrona’s name across Russia (Zhdanova, Skazanie, 1993, azbyka.ru; Izvestia, “Matrona Moskovskaya’s Predictions: Truth and Myths”), and the canonizations of 1999 (Moscow) and 2004 (general/Russia-wide). The saint is ancient in the sense that the woman lived and the grave-cult is decades old; the mass saint of present-day Russia is, sociologically, a creation of the 1990s and after (see canonization 1999–2004).

A Cult “From Below”

The most striking sociological feature of the Matrona cult is the kind of religion it is. It is overwhelmingly a lay devotion — not driven from the episcopate or the monasteries downward, but rising from ordinary believers — and its center of gravity is women bringing the concrete needs of ordinary life: a marriage, a child, the recovery of a sick relative, work, housing, an examination, a family quarrel (AsiaNews; Argumenty i Fakty, “Chudoverie, Stalin i Pokrov,” kuban.aif.ru). The petitions left at the Pokrovsky Convent and the testimonies that circulate in the cheap miracle-booklets are dominated by exactly these everyday, domestic, this-worldly concerns. Matrona is, in the practical religious imagination of millions, the saint one turns to when life is stuck.

This character is not incidental, and it is the reason this collection repeatedly sets Matrona beside St. Xenia of Petersburg. The two cults are structurally alike: both venerate a poor, marginal, unordained laywoman of no institutional standing; both grew “from below,” carried by the faithful rather than imposed from above; both are heavily female; and both are oriented to the protection of women and the lower orders and to the needs of daily life rather than to doctrine or asceticism in the abstract (for the Xenia parallel and the scholarship on it, see the Xenia methodology; and on women’s place in such cults, women in Orthodoxy). What Nadieszda Kizenko described for Xenia — sainthood “constructed from below,” appropriated above all by lower-class women — describes the Matrona cult with little adjustment, transposed from the nineteenth century to the post-Soviet decades. Matrona is, in this sense, Xenia’s modern counterpart: the same form of popular holiness, recurring in a new historical situation.

What the Popularity Reflects

A cult that grows this fast and this large is telling us something about the society in which it grows, and several converging readings are offered in the literature; this file reports them as interpretations, not as established fact.

First, the Matrona explosion is a measure of the post-Soviet religious revival and of its particular shape. The 1990s opened a vast unmet religious need in a population cut off for three generations from systematic catechesis, and that need attached itself first and most easily not to doctrine but to persons — concrete, accessible, problem-solving holy figures whom one could approach with one’s troubles. Matrona, a recent saint, Russian, of humble origin, suffering (blind, immobile), and reputed to help, was ideally shaped to receive that need (AsiaNews; Izvestia). Her popularity is, on this reading, a portrait of a religiosity that is intense and real but often thin in formation — strong on the saint, weaker on the catechism.

Second, the cult answers to the conditions of ordinary post-Soviet life — economic insecurity, family breakdown, illness, the search for stability — in the way that protective lay cults have always answered to hardship. The needs people bring to Matrona are the needs of people under pressure, and the saint who specializes in those needs flourishes when the pressure is widespread.

Third — and this is where sober description shades into the cult’s controversy — Matrona has been drawn into the national-religious mood of the post-Soviet decades, the search for a usable Russian Orthodox past. Here belongs the single most contested element of her modern image: the legend that she received and blessed Stalin in 1941, and the 2008 “Matrona and Stalin” icon that gave the legend pictorial form. That material is a genuine part of her modern reception, but it is disputed in fact and rejected by the Church’s own canonization commission, and it is treated in full, with all sides, in the disputed-episodes section — see the Stalin-visit question. It is noted here only as one of the uses to which the saint’s popularity has been put, and as a warning that mass veneration and historical accuracy are not the same thing.

The Tensions in the Cult

The size of the Matrona cult is the source both of its significance and of the criticism it has attracted, and an honest account must report the criticism as carefully as the devotion. The concern voiced by scholars, journalists, and some Orthodox clergy is that the popular Matrona cult tends, at its edges, toward folk-religion and magic — that Matrona is treated by many devotees as a near-universal problem-solver, approached through fixed ritual gestures rather than through prayer and the sacraments (AsiaNews; Argumenty i Fakty, kuban.aif.ru, whose very title plays on chudoverie, “miracle-belief” or superstition; Izvestia).

The complaint is concrete. Around the Pokrovsky Convent and in the booklet literature a body of quasi-magical practice has grown up: instructions to leave a written note with one’s request, to bring an odd number of flowers and take blessed ones away, to perform a specific sequence at the relics, to recite a set prayer a set number of times for a set result. To critics — Russian and Western, secular and churchly — this is religion functioning as technique: the saint as a mechanism for obtaining outcomes, veneration detached from churchly faith, from repentance, and from the sacramental life, and sliding toward the occult that the canonization commission had already objected to in the unedited Skazanie (AsiaNews, on the Patriarchate issuing a Life “purged of all superstitious aspects”; Argumenty i Fakty, on the commission’s criticism of the book’s folk-magical material).

Three things should be held together here, in fairness to all sides. First, the criticism is real and is partly internal to the Church: it is not only secular skeptics but Orthodox commentators and the Patriarchate’s own commission who have flagged the folk-magical drift, which is exactly why the canonical Life was produced by correcting the popular one (see the Zhdanova Life and its corrections). Second, the abuse is not the whole cult: the same convent that hosts the note-leaving also catechizes, confesses, and communes a great many of the people who come, and for countless devotees the veneration of Matrona is an ordinary, churchly devotion that simply happens to be very popular. The “magic” critique describes a tendency at the cult’s margins, not its definition. Third, the tension is not unique to Matrona — it is the perennial tension of every large popular cult of a wonder-working saint, the gap between official theology and folk practice, visible around Xenia and around many shrines, and Matrona is its most prominent current Russian instance rather than a special case (compare the Xenia cult, the Xenia methodology).

Reading the Phenomenon

What, then, is Matrona in modern Russia? She is the clearest single window onto the character of post-Soviet popular Orthodoxy: a real, decades-old grave-cult that the religious revival of the 1990s and the canonizations of 1999–2004 lifted into a mass national devotion; a “from below,” lay, women-heavy, needs-oriented veneration in the lineage of St. Xenia; an index of a religiosity that is fervent and genuine but often under-catechized; and, at its edges, a cult that tends toward folk-religion and that has been put to national-religious uses, the most contested of which the Church itself disowns.

None of these observations is a verdict on the saint. The woman of Sebino, the grave-cult, and the Church’s glorification stand where the source-critical sections of this collection place them (see the Zhdanova Life and its corrections). What this file describes is the reception — the enormous modern afterlife of that life — and the discipline it asks of the reader is the same one the whole collection asks: to see the cult clearly as a cult, to honor the genuine devotion in it, to report the criticism honestly, and to collapse neither the popularity into proof nor the criticism into dismissal.

See Also

References

  • Zhdanova, Zinaida V. Skazanie o zhitii blazhennoy startsy Matrony [The Tale of the Life of the Blessed Eldress Matrona]. Moscow, 1993; many later printings. Text at azbyka.ru/fiction/skazanie-o-zhitii-blazhennoj-staricy-matrony. (The bestselling popular Life whose 1993 appearance drove the cult’s expansion.)
  • Pokrovsky Stavropegic Convent. “The life of the Blessed Matrona,” “The Invention of the relics of Blessed Eldress Matrona.” pokrov-monastir.ru. (The Pokrovsky Convent as the cult’s center and the relics’ home; the official canonical Life.)
  • “Devotion to the Blessed Matrona Moskovskaya, Stalin’s saint.” AsiaNews (asianews.it). (The scale and “from below” character of the cult; the Patriarchate’s correction of the Life “purged of all superstitious aspects”; the thaumaturgic/occult criticism.)
  • “Chudoverie, Stalin i Pokrov. Pravda o chudesakh svyatoy Matrony Moskovskoy.” Argumenty i Fakty (kuban.aif.ru). (The chudoverie/“miracle-superstition” critique; the everyday needs brought to the saint; the commission’s objection to the folk-magical material.)
  • “Matrona Moskovskaya’s Predictions: Truth and Myths.” Izvestia (iz.ru). (The post-Soviet reception of the 1993 Skazanie; the cult as a phenomenon of the religious revival; the Stalin legend as myth.)
  • Matrona Nikonova. Wikipedia (en.wikipedia.org). (Matrona as among the most venerated modern Russian saints; the proliferation of dedications and icons; the post-Soviet chronology of the cult.)