The Theology of the Anaphora

The Anaphora of St. Basil — the great Eucharistic prayer of his liturgy — is one of the supreme dogmatic texts of the Orthodox Church: a single sustained prayer that confesses the Trinity, narrates the whole economy of salvation from creation to the Second Coming, invokes the Holy Spirit upon the gifts and the gathered Church, and intercedes for the living and the dead. This file treats its architecture and theology, with selected quotations from the standard English text, and compares it with the shorter Anaphora of St. John Chrysostom.

Tradition: Pan-Orthodox (Church Father)

The Shape of the Anaphora

The Anaphora (Greek anaphora, “offering,” “lifting up”) of St. Basil follows the classic West Syrian / Antiochene structure that the Byzantine rite inherited: opening dialogue, a long thanksgiving (the praefatio) leading into the Sanctus, a post-Sanctus that becomes a narration of salvation history, the Institution Narrative, the Anamnesis with the offering, the Epiclesis, and the Intercessions, sealed by a concluding doxology. Its distinguishing feature is amplitude: where Chrysostom is terse, Basil expands, so that the prayer becomes a complete catechesis in the form of doxology (Taft, The Byzantine Rite; Fenwick, The Anaphoras of St Basil and St James). The structure of the surrounding liturgy is identical to the Chrysostom Liturgy and is treated in full in the pan-Orthodox guide (see The Divine Liturgy).

The Long Trinitarian Thanksgiving

Where the Chrysostom anaphora opens its thanksgiving in a few lines, Basil’s praefatio is an extended adoration of the Father and a confession of the whole Trinity. It begins by naming God from the divine self-naming of Exodus 3:14 — “O You Who Are” (ho Ōn) — and unfolds into a meditation on the incomprehensible and adorable God:

“O You Who are, Master, Lord God, Father almighty and adorable, it is truly meet and right and befitting the magnificence of Your holiness to praise You, to hymn You, to bless You, to worship You, to give thanks to You, to glorify You, the only true God.” (Anaphora of St. Basil, praefatio; standard English text per the Hapgood Service Book; cf. the Archieparchy of Pittsburgh translation)

The thanksgiving then confesses the Father as known through the Son and the Spirit, naming the Son as “the image of Your goodness, the seal of equal type, in Himself showing forth You the Father” and the Spirit as the source of the Church’s sanctification — a Trinitarian theology so precise that it reads as the prayed counterpart of Basil’s On the Holy Spirit. The Sanctus (“Holy, Holy, Holy”) follows as the climax of this ascent into the worship of the heavenly powers.

The Narration of Salvation History

What most distinguishes Basil’s anaphora is the great post-Sanctus narration: after the Sanctus the prayer does not move directly to the Last Supper but recounts the entire economy of salvation. It tells of the creation of man, his formation from the dust and placement in Paradise, the fall through disobedience, the expulsion, the long pedagogy of the Law and the prophets, and at last the Incarnation:

“When man had disobeyed You, the true God who had created him, and had been led astray by the deception of the serpent… You did not turn away from Your creature forever… but did visit him in various ways through the tender compassion of Your mercy. You sent forth prophets; You performed mighty works by Your saints… and last of all, You gave us Your only-begotten Son Himself.” (Anaphora of St. Basil, post-Sanctus narration; standard English text per the Hapgood Service Book)

The narration continues through Christ’s saving work — his life under the Law, his death on the Cross “by which He destroyed death,” his descent into Hades, his Resurrection on the third day, his Ascension, and his coming again to judge — so that the worshipper, before the consecration, has rehearsed the entire arc of redemption. This salvation-history sweep, far fuller than Chrysostom’s, is the heart of the anaphora’s catechetical power: the Eucharist is offered within the remembered story of the whole economy of God.

The Institution Narrative and the Anamnesis

The narration arrives at the Last Supper and the words of institution, set within Christ’s free self-offering: he “gave Himself as a ransom to death, by which we were held captive, sold under sin,” and on the night he was betrayed took bread, gave thanks, and gave it to his disciples (Anaphora of St. Basil, Institution Narrative; standard English text per the Hapgood Service Book). The Anamnesis then commands remembrance and presents the offering — “Thine own of Thine own we offer unto Thee, on behalf of all and for all” — remembering the saving death, the burial, the Resurrection, the Ascension, the session at the right hand, and the glorious second coming.

The Epiclesis

The Epiclesis — the invocation of the Holy Spirit upon the gifts — is the consecratory heart of the anaphora. Basil’s form is fuller and more explicit than Chrysostom’s, and its language of showing forth (anadeixai) the gifts is distinctive:

“Therefore… we sinners and unworthy and wretched servants… pray to You, our God… that Your all-holy Spirit may come upon us and upon these gifts here set forth, and bless them and sanctify them and show this bread to be itself the precious Body of our Lord and God and Savior Jesus Christ… and this cup to be itself the precious Blood of our Lord and God and Savior Jesus Christ, which was shed for the life of the world.” (Anaphora of St. Basil, Epiclesis; standard English text per the Hapgood Service Book)

As throughout the Byzantine tradition, the consecration is understood to be accomplished by the whole anaphora — thanksgiving, institution, and epiclesis together — with the Epiclesis as the culminating and decisive moment (see The Divine Liturgy, “The Epiclesis”).

The Intercessions

Basil’s Intercessions are notably more expansive than Chrysostom’s. After the consecration the prayer commemorates the Theotokos (the moment marked for the people by the hymn “All of creation rejoices in thee”) and the saints, then intercedes at length: for the departed in the hope of resurrection, for the living, for the episcopate “rightly dividing the word of Your truth,” for the clergy and the whole Church, for civil authority and peace, for travelers, the sick, the suffering, captives, and the needy, gathering the whole world into the offering before the concluding doxology (Anaphora of St. Basil, Intercessions; standard English text per the Hapgood Service Book). The breadth of the intercession enacts the catholicity of the Eucharist: the local assembly prays for the entire Church and cosmos.

Comparison with the Anaphora of St. John Chrysostom

The two Byzantine anaphoras share the same Antiochene skeleton and occupy the same place in an outwardly identical liturgy, but differ markedly in scale and texture (Taft, The Byzantine Rite; Fenwick, The Anaphoras of St Basil and St James):

  • Length and density. Chrysostom’s anaphora — itself related to the older Anaphora of the Twelve Apostles / Syrian tradition — is brief and concentrated; Basil’s is roughly several times longer, expansive and theologically elaborated at every joint.
  • The thanksgiving. Chrysostom thanks God in a few rich lines that move quickly to the Sanctus; Basil mounts a long Trinitarian adoration before reaching it.
  • The narration. This is the sharpest divergence. Chrysostom’s post-Sanctus is short, moving almost at once to the institution; Basil narrates the whole economy — creation, fall, Law, prophets, Incarnation, Cross, Resurrection, Second Coming.
  • The epiclesis. Both invoke the Spirit to change the gifts; Basil’s is fuller, with its characteristic “show this bread to be” language.
  • The intercessions. Basil’s are considerably longer and more comprehensive.

In sum, the two prayers are complementary instruments: Chrysostom’s, the everyday liturgy, says what is essential with economy; Basil’s, reserved for the seasons of preparation and the great feasts, unfolds the same mystery at full doctrinal length. (The Chrysostom anaphora is treated in its own file, The Liturgy of St. John Chrysostom.)

See Also

References

  • Taft, Robert F. The Byzantine Rite: A Short History. Collegeville, MN: Liturgical Press, 1992.
  • Fenwick, John R. K. The Anaphoras of St Basil and St James: An Investigation into their Common Origin. Orientalia Christiana Analecta 240. Rome: Pontifical Oriental Institute, 1992.
  • Hapgood, Isabel Florence. Service Book of the Holy Orthodox-Catholic Apostolic Church. Various editions (standard English text of the Liturgy of St. Basil).
  • The Lenten Triodion. Trans. Mother Mary and Kallistos Ware. London: Faber and Faber, 1978.