06 — The Flaying Martyrdom

The tradition of Bartholomew’s death — flayed alive and beheaded at Albanopolis — and the extraordinary iconography it generated, in which the apostle is shown holding his own skin and the flaying-knife. These files set out the martyrdom as a tradition of later, largely apocryphal attestation, and then trace the iconographic motif that made Bartholomew one of the most visually distinctive of all the saints.

Tradition: Pan-Orthodox (Apostle)

Of all the apostles’ deaths, Bartholomew’s is the most gruesome in the telling: tradition holds that he was flayed alive — his skin stripped from his body — and then beheaded, at a place the sources call Albanopolis (Urbanopolis), located by tradition on the Armenian or Caspian frontier. The narrative descends chiefly from the apocryphal Martyrdom of Bartholomew and the later passiones; the manner of death is a hagiographic tradition, not a datum of the New Testament or of the earliest historians. Yet precisely this manner of death gave Western art one of its most arresting images — the apostle bearing his own flayed skin, the knife in hand — culminating in Michelangelo’s Last Judgment. This section treats both the martyrdom-tradition and its iconography, each pinned to its attestation.

Files in This Section

File Description
The Martyrdom The tradition of the flaying and beheading at Albanopolis; its descent from the Martyrdom of Bartholomew and later passiones; the divergent details of place and manner; and the sober handling of a death known only through later hagiography.
The Iconography of the Flayed Apostle The flaying-knife and the carried skin as the apostle’s identifying attributes; Eastern and Western depiction; Michelangelo’s self-portrait in Bartholomew’s flayed skin in the Last Judgment; and the report of all this as iconographic tradition.

See Also

References

  • James, M. R. The Apocryphal New Testament. Oxford: Clarendon Press, 1924. (The Martyrdom of Bartholomew.)
  • The Synaxarion / Menaion for June 11. (The Orthodox commemoration of the apostle’s martyrdom.)
  • Hall, James. Dictionary of Subjects and Symbols in Art. Rev. ed. London: John Murray, 1979. (Bartholomew’s attributes in art.)